Journal of the stylistic of Persian poem and prose
volume Number 17، number In Volume 10، Junuary 2025 ، issue Number 104

Examining the types of self-resonance in the poetry of prominent poets based on Khorasani (Rodaki-Ferdoosi), Azerbaijani (Khaqani-Nizami) and Iraqi (Saadi-Molvi) styles.

Anis Jahangir (Author in Charge)

Abstract

BACKGROUND AND OBJECTIVES: Self-echo is a field of phenomena that exists in all periods and is a term that refers to the expression of issues regarding the creation of a work of art or the rediscovery of a poet or writer in his work. This research tries to find out the similarities and differences in the poetry of selected poets of Khorasani style (Rodaki-Ferdoosi), Azerbaijan (Khaqani-Nizami) and Iraqi (Saadi-Molvi) to analyze in three important periods of the history of Persian literature. By comparing and analyzing the issues reflected in the poems of the poets of different periods of Persian literature from the point of view of self-pajhwok, while obtaining valuable information from the historical point of view, one can understand some of the personality characteristics of the poet and the issues of his time.

METHODOLOGY: The research method is a descriptive-analytical library. First, we collect the materials, then we analyze them.

FINDINGS: All poets have dealt with their personal life, but Rumi has dealt with this matter the most. Rumi seems to be living in the midst of poetry. Most of all, Saadi has displayed social and moral issues in his poems, community and education of people is important to him. Ferdowsi has told more about his economic situation and has a very serious personality. Rudaki is a fun-loving person, Khaqani is a braggart and rarely chooses friends for himself, and Nizami shows a face full of happiness and joy, Saadi is a mature person, and because of his easy and restrained poet"s style, he is a person who takes the world for granted. And he is not strict.Rumi is a person of self-restraint and hard work, staying awake and staying awake. In the Iraqi style, more self-echo is seen than in the Khorasani and Azerbaijani styles.

CONCLUSION: Rumi has more resonance in expressing the sadness of being away from his beloved, Saadi has more resonance in self-education and morality, Nizami has more resonance in expressing his love and hijran, Khaqani has more resonance in the mourning of his child and the monotheism of the Almighty and the Hajj journey. . Old age and regret for an unappreciated effort has its own echo, Rodaki in expressing his blindness and belonging to the noble Samani emirs and his behavior towards his unkind wife.

Keyword
Talking about oneself , Persian poetry , Third to eighth centuries

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